
Krafty Lady News
Art Moulds©
Fantasy Film *HOT
NEW PRODUCT*
Distributor Info
Stockists
Art Mould "How To"
Resin Jewellery Classes offered by KRAFTY LADY *NEW*
Classes Endorsed by KRAFTY LADY
Visit our updated customer

Design Team
Design Team Index
Tips and Techniques
Latest Additions
The Projects
• Altered Board Book
• Altered Bottle
• Altered Clipboard
• Altered
Lunchboxes
and Altered Tins
• Gatefold Journals
• Krafty Screen
• Krafty Templates
• Flag Book
• Shadow Box
•
SOYSILK® Fusion
•
Wall Hanging
• Zen
Garden
also
• Cards
• Artist Trading Cards
• Miscellaneous Pieces
DT Challenge:
• Krafty Inspirations
Take 1 Make 5
Members of the DT:
• Jeni Calkins
• France Chevalier
• Myléne Hillam
• Carol Murphy
• Michelle Zimmerman
• Kristine Lockwood
"the Krafty Lady"
Guest Artist:
• Helen Bradley
Past DT members:
• Darlene Grob(2005-2008)
• Ingrid McHutchison (2005-2006)
• Lea Cioci (2005)
• Melissa Huber (2005)
• Robyn Pettingill (Guest
2007)
Customer Feedback
Kristine's
Blog
Contact:
Krafty Lady
We Accept
Site Map
Search this site
|
Faux
Paua Shell/Marbling by France Chevalier |
|
AM116 Lge Oriental Pendant
as seen in
France's Miscellaneous section

the casts from AM228 will become earrings.
|
This technique was
heavily borrowed from the Polymer
Clay Central.
I adapted it for the polymer clay I had on hand, being: Sculpey III pearl
blue, green, transluscent, and black.
I didn't follow the instructions exactly as I don't have much in terms of tools.
I flattened the clay with my hands after having conditionned it. I forgot to
stack once *oops* !
So, how I proceeded is that I made the mix of clay, and then shaped into a fat cane
then I sliced pieces, and put them in the mould, slightly overlapping if they weren't
big enough. The cane was large enough for the smaller moulds (AM035 Sm Puffy
Heart
and AM228 Med 6 Petals)
but needed a few slices for the pendant (AM116 Lge Oriental Pendant).
When the "bottom" of the mould was filled to my liking, I used some plain black clay, or
remnants of other colours/projects
to fill the mould. I then put a thin slice of either plain black or of my cane.
This
way you don't waste your good blend and you can stretch it farther!
Be careful what colours you use to fill your mould if you have white or transluscent clay in the big cane, so they don't seep through.
-----
Use thicker slices if you plan on sanding and buffing your piece so as to not erase the design of the cane.
 |
You can also play with various coulours, and invent your own finish
AM228 on left, and AM035 on right
|
|